米兰九/./口径

一、被称为动作片的开先河之作的《米兰九/./口径》，是费尔南多·迪·莱沃最好的作品吗?

从费尔南多·迪·莱沃斩获动作片最佳导演我就觉得这部《米兰九/./口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰九/./口径》是他动作片的代表作品。

二、《米兰九/./口径》讲述的是什么故事？

《米兰九/./口径》Fer; [nand(o( Di -$Leo's Mil# :ano Calibro, 9 is an ou)t-an\+d-out mas )ter$piece_^^ of Ital(ia+n Crime )ci nema and, in my opinio^n^!-, one [(-of `:the m`;[o%st asto %nishing crime stori![\es ever told. :(Th?e first  f;$+$ilm in D_%i Leo.@!'s excellent '\%Mi%%(l .;ieu' trilogy, Milano ! *Cali%.bro 9 was fo(l!@.l?^- owed by ?@La-; Mala :Ordina (a^$ka. Manhunt, a**lso 197$;2) a*nd %`the brillian+t I^l Boss (1973:). The thr-%ee fil_%:ms are not- (# connected story-wise, ;.but a,.ll three are ?:excellen t, and highly re. alistic portrayals of or=(ga:#n* \ized []crime. As far .(as I am concerned Manhunt!? is (\$-%al[.=lthou:]gh ex$cell;ent)_- slight.]$ly  in ferio
r to thi^[%s one and I/l Boss ](whi\ *ch) ^ ;b:
ot_^h[\ stand( out*^?^ as absolu;` .#te all-_=\time!* hig;@hlights of cri me./\ cinema.@ Mi( ]lano Cali? b /ro !-_9 is the best ;of t hem a,
ll-
, a\= film that: is ast: oni$%)#shing^ in all a_^spect -+s]\;, be? it the ingeniou],s plot +]that,*` /[+apart fro\.*[m a c$]ompe?l` ,ling s t_/((or \ y =and c*#_lever= t=:wis+ /t;s, includes social cr%#iticism, ? the perf=ormance+s=, the gri$tty atmosph# ere an;[d sus/[pense ]
[;or =?^t he brillian*(,t?#@? score. !^/I can hardly fi+ _nd t+he :ri=*gh
!t words? to express$.^ m(y admirat?ion for=: ;this ma#ster*pie,`.ce  whi .ch easil-!-y r[)+anks amo(.$ng@ ?the greatest Gangster fli]$.cks ever brought to sc))/(r#
een.　　Ga-%stone Moschin stars as Ugo Piazza,] a t(^.ough and elliptic*:al;= e]#*x-convict who has just been rel\#`eased@ from pri,son. `Immediately af[ter([\ his)+@ : r@elea_%se, U[ go i[]s approached by  members of the Milan mob lead by `the @;` irascibl;e  .gang)ster )^Rocco (M a
rio Adorf), ++as they suspec#!t him to b:
_e responsi`*bl!e for the disap\pearanc$e of a lar(
ge[+# s,um of money][ belonging t-\?o_ th-.e=i*r bos_\s/; , an%= (A m)%e@.rican (Li!onel Sta[`nder) who c*
ontrols the or)ganized!%`$ crime i/+n Milan...:;　.?*　Milano Calib=%]ro ?9 is a film that delivers an astonish#*in$g_:ly rea!(list`ic mood of the under:`-]^world like har$$dly/\#*$ anot(her. The
(/ intriguing%! story@line goes i%n hand with
in+.?*t,[:?eresting characters,* raw atmosphere , su[[spe-,nse and breath #_taking action, s=!=/ocial criticis%m a:`n,^d:  brutal viol)ence. The fi*`lm_ is si*-/mply stunning from th/ e beginning to the end, wh#ich is even intensified by th_:.e br`.
ill+iant score, a col^laboration o
[f the :^] f_am-:ou,:-s compose*r Luis Enríque*z.: Bacalov- and the ` I%-talian Pro-g@ressive Rock ()band Osanna`.= Ugo Piazza must b/+/e one of -\the[# mo
st (charismatic gan%gster characters `+ ever in cinema,,^_
 and
\Gast\one Moschin w\$[,%as.\ the [ 
prefect ch# \oice 
f\or the role. Moschi@@n delivers a brilliant per`;#?formance,(/
an(-?d the rest of the cast is also great. Mario Adorf is iras^*cible li\` ke a -;?+%rabid /dog as the ferocious ga*_ ngster Rocco, a rol!`( e t /hat fi;*!_ts him+\ like a glo %v^e. -The g_re\at L_ _ionel S((tander fits pe
%rfectly in h)is$ +role:$= of =:the America[_ n M?afia D=$on.　　T)%he two cop 
c#har/-acters in the fi!\lm ar/+(/e ?p]l.ayed by t= :_wo of; t.he: great est regulars of Itali
a$n genre: ,+-cinem a, Luig]+$i Pistilli ;:and;^$ F?)#rank W[olff (who co(%mmitt]ed sui cide before the ?fi
lm was released)#^. %^_The rav$ishi.;
ng`# ][]Barbara Bouchet is asto *nish+!]in)`g and ] inc)redibly s/ex`y in #the r`ol\^e
 of=! Ugo _@P))iazza's stripp?er girlfrien!?=d-
. Bouchet=: is b(
oth a stu$[_nning be,;auty and an ex!c @ellent actress and t##his is doubtlessly $$o?%ne of her m( o@ *st*!- memor)+ab ^
le r(oles##. This is also a! political film# an@+d d?=irector Di Leo e %/mbedd ed a] lot o(f social cr[iticism about #t.opi
^`.#cs_ lik@e c+
orruption. Th:is film s!#imply \)has eve+[ (rything one )(can .p
% os_)=$sibly desire in cinema. Films li[^\ke Milan`,o Ca#li/bro 9 are the r.- eason why .*I l
ove cinema$).. This is_ an absolut;e m;aster piece in al l reg\a?;rds and, wit)hout exag+:geration, one of the great)est Crime f.]!licks eve/r made! The ingeni_
ou`,s^= op ening scene (*;alone# is more mem%!-:orable$# than most f[*](ilms- ge-t in two ho%^urs.

三、《米兰九/./口径》动作片的主要内容

《米兰九/./口径》是一部动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫。《米兰九/./口径》Fer; [nand(o( Di -$Leo's Mil# :ano Calibro, 9 is an ou)t-an\+d-out mas )ter$piece_^^ of Ital(ia+n Crime )ci nema and, in my opinio^n^!-, one [(-of `:the m`;[o%st asto %nishing crime stori![\es ever told. :(Th?e first  f;$+$ilm in D_%i Leo.@!'s excellent '\%Mi%%(l .;ieu' trilogy, Milano ! *Cali%.bro 9 was fo(l!@.l?^- owed by ?@La-; Mala :Ordina (a^$ka. Manhunt, a**lso 197$;2) a*nd %`the brillian+t I^l Boss (1973:). The thr-%ee fil_%:ms are not- (# connected story-wise, ;.but a,.ll three are ?:excellen t, and highly re. alistic portrayals of or=(ga:#n* \ized []crime. As far .(as I am concerned Manhunt!? is (\$-%al[.=lthou:]gh ex$cell;ent)_- slight.]$ly  in ferio
r to thi^[%s one and I/l Boss ](whi\ *ch) ^ ;b:
ot_^h[\ stand( out*^?^ as absolu;` .#te all-_=\time!* hig;@hlights of cri me./\ cinema.@ Mi( ]lano Cali? b /ro !-_9 is the best ;of t hem a,
ll-
, a\= film that: is ast: oni$%)#shing^ in all a_^spect -+s]\;, be? it the ingeniou],s plot +]that,*` /[+apart fro\.*[m a c$]ompe?l` ,ling s t_/((or \ y =and c*#_lever= t=:wis+ /t;s, includes social cr%#iticism, ? the perf=ormance+s=, the gri$tty atmosph# ere an;[d sus/[pense ]
[;or =?^t he brillian*(,t?#@? score. !^/I can hardly fi+ _nd t+he :ri=*gh
!t words? to express$.^ m(y admirat?ion for=: ;this ma#ster*pie,`.ce  whi .ch easil-!-y r[)+anks amo(.$ng@ ?the greatest Gangster fli]$.cks ever brought to sc))/(r#
een.　　Ga-%stone Moschin stars as Ugo Piazza,] a t(^.ough and elliptic*:al;= e]#*x-convict who has just been rel\#`eased@ from pri,son. `Immediately af[ter([\ his)+@ : r@elea_%se, U[ go i[]s approached by  members of the Milan mob lead by `the @;` irascibl;e  .gang)ster )^Rocco (M a
rio Adorf), ++as they suspec#!t him to b:
_e responsi`*bl!e for the disap\pearanc$e of a lar(
ge[+# s,um of money][ belonging t-\?o_ th-.e=i*r bos_\s/; , an%= (A m)%e@.rican (Li!onel Sta[`nder) who c*
ontrols the or)ganized!%`$ crime i/+n Milan...:;　.?*　Milano Calib=%]ro ?9 is a film that delivers an astonish#*in$g_:ly rea!(list`ic mood of the under:`-]^world like har$$dly/\#*$ anot(her. The
(/ intriguing%! story@line goes i%n hand with
in+.?*t,[:?eresting characters,* raw atmosphere , su[[spe-,nse and breath #_taking action, s=!=/ocial criticis%m a:`n,^d:  brutal viol)ence. The fi*`lm_ is si*-/mply stunning from th/ e beginning to the end, wh#ich is even intensified by th_:.e br`.
ill+iant score, a col^laboration o
[f the :^] f_am-:ou,:-s compose*r Luis Enríque*z.: Bacalov- and the ` I%-talian Pro-g@ressive Rock ()band Osanna`.= Ugo Piazza must b/+/e one of -\the[# mo
st (charismatic gan%gster characters `+ ever in cinema,,^_
 and
\Gast\one Moschin w\$[,%as.\ the [ 
prefect ch# \oice 
f\or the role. Moschi@@n delivers a brilliant per`;#?formance,(/
an(-?d the rest of the cast is also great. Mario Adorf is iras^*cible li\` ke a -;?+%rabid /dog as the ferocious ga*_ ngster Rocco, a rol!`( e t /hat fi;*!_ts him+\ like a glo %v^e. -The g_re\at L_ _ionel S((tander fits pe
%rfectly in h)is$ +role:$= of =:the America[_ n M?afia D=$on.　　T)%he two cop 
c#har/-acters in the fi!\lm ar/+(/e ?p]l.ayed by t= :_wo of; t.he: great est regulars of Itali
a$n genre: ,+-cinem a, Luig]+$i Pistilli ;:and;^$ F?)#rank W[olff (who co(%mmitt]ed sui cide before the ?fi
lm was released)#^. %^_The rav$ishi.;
ng`# ][]Barbara Bouchet is asto *nish+!]in)`g and ] inc)redibly s/ex`y in #the r`ol\^e
 of=! Ugo _@P))iazza's stripp?er girlfrien!?=d-
. Bouchet=: is b(
oth a stu$[_nning be,;auty and an ex!c @ellent actress and t##his is doubtlessly $$o?%ne of her m( o@ *st*!- memor)+ab ^
le r(oles##. This is also a! political film# an@+d d?=irector Di Leo e %/mbedd ed a] lot o(f social cr[iticism about #t.opi
^`.#cs_ lik@e c+
orruption. Th:is film s!#imply \)has eve+[ (rything one )(can .p
% os_)=$sibly desire in cinema. Films li[^\ke Milan`,o Ca#li/bro 9 are the r.- eason why .*I l
ove cinema$).. This is_ an absolut;e m;aster piece in al l reg\a?;rds and, wit)hout exag+:geration, one of the great)est Crime f.]!licks eve/r made! The ingeni_
ou`,s^= op ening scene (*;alone# is more mem%!-:orable$# than most f[*](ilms- ge-t in two ho%^urs.

四、《米兰九/./口径》为什么可以成为经典？

提起其它，人们就肯定会说出《米兰九/./口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰九/./口径》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《米兰九/./口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有几年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰九/./口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！

五、如何评价《米兰九/./口径》?

《米兰九/./口径》口碑非常好深受广大观众喜爱，《米兰九/./口径》一经播放立刻引来无数人点赞，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，秋葵视频污下载官网（www.yldshanxun.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰九/./口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到观众认可。

六、《米兰九/./口径》是哪一年上映的？

《米兰九/./口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰九/./口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰九/./口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰九/./口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。