等待%方舟

类型
科幻片
地区
其它
年份
1985
语言
其它
评分
8.0
导演
皮奥特尔·舒尔金
主演
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·…
集数
HD中字
最近更新
2024年04月09日

简介:详情 ∨

Se;@t in an und\erground dungeon inhabited by_ bu[;ndled, ragged human beings, ;,-aft)e(_r the nucl($_ear holocaust. The s)]@=tory fol;lows the wande!^r\i\]ngs of a hero th/r]=oug %^(h the situations of survival. :.Peop)l ,e wait for the Ark ]to arrive an_-d resc/ ue them while thei;r ` habita])t f(a])lls ap[;?ar_+*t.  Delving dee \p int$o the+ dusty /and long abandonded^] vaults %!of b!-cine\ma in sear,^#ch of lost. gems ?$ always leaves me w@ith a`_ bitter(?swe=)_%et tast,=e. /-On _one hand*` ^the disco )_very,!#! of  [une/xpected()* ge)ms where no one wo*@uld t[]hink them p+*!$os$\ sib(`l(e is#, `  a re%*wa+rdin?)g exper./+#ience. On the [^other;#: hand tho()ugh it makes o!(-`ne wonder how many)` of t]-#hese remarkabl[e low-bu,dget oddities, personal love : :[$%\affai)! r s ) of directo]^+rs ;neve)r q,(.uite `=$fa`\m=^ous and`, now al[ l but- \ for+,#gotten, _._have al!*most forever )*slip;pe-d f( :rom m emory  n% any case w] h$#at we hav@e here is a l_+itt:\le post-apocal$%ypt:@ic gem fr+[+om Poland tha-,t is])- re%ally bet_\]:/ter? -:tha!n it h.+as a^ny right$  t=o. T!he,* dyst_opi*:an :[;near f(\,utur?-_e o]] f O-BI, O-BA fi:nds! a group /$of survivo=rs of=(  the nuclear w^)!ar that ravaged /.the Ea@%:=rth i)##nhabi$ting *--an underworld _.conc;#r^ete bunker= an(d bi$ding their ti[( me; as th=$ey wait fo]$r) (@the mysterious Ark, an  a.`ir  ship of some ki#^nd th/at will co \;-me and sa$ve them. The Ark pro:-[`ves to; be an elaborat+e hoax, carefully designe+);`d to g-ive hope to *]the mal/\*=nourished and (desp /erate) [d.]enizen!$s of (=th(^(e bunk$er,_/ w=(hile$ in t+%he meant++ime _-the do@(me that :separat@?es t  @heir misera(ble existenc[^*e-^* from  the nuc*`%lear?* winter out+)side [%is] s.^l%owly caving in.  W@h ^at ^[/fi[r#st st-]ri [ked me a- @b(, out t ) he movie !:is the d_;e@*,sign$ of.( the bunker and the de+* \@pict ion o/f th?e surv*/iv)or=;)s. The su%+rvi:vors are #gaunt, f .\+ilthy and .te\rr [_ible-looking peniten)#ts, dressed in %]rags and aimle(:ssly wander)ing the neon-lit ha[]lls of the bunker l[=ik=e au/%tomato?:ns. T+)@he bunker is a rundown, seedy place, with `;`br:ight n[@eon [lights pee+.=ring +?from a:$_ll sid\(es l\.ik-e the e:)yes of malig ;nant: bea*^sts$=@.  On one hand i#$t is a slightl;#?y 80's depict?@ion of the dystop=* ian fu tu(+^re (but^- the movie neve=!r s*`toops+? ^#down to MAD MA?X che`ese. Instead i@^t c %:+ombines biting political [#satire with the bleak outlo:_;ok of a!; w/`?orl-^d with `no future, - bla$ck comed(y *wit+,,h bar-b;s] on apathy, religion and power. The? survivo rs, f:.?or! examp!:_%le, ar,e fed some kind@,[, o!)f flour dropp+#ing from a tube that ;hov`?ers `in the a?/ir - later o_,n !@we disco`v`er the food) super:viso@:r uses book\ s` ;$and/.! th?e Bible $i_tself as filler for t+,(his ? meagre meal %. There are many su^+c `h sho? rt symbolic %[touches, pe*$rhaps not lif e;-ch.+%`anging _%or fait%h-r#[es%toring, yet@* p`%#l%ayful!%(,- clever and inspired.  One thing i@;+s for(= su/#re;] O-BI#, + O!-BA -is not your run-of-the-mill sci-# -[fi sc hlock. It overcomes =.`(i= ts modest budget with c,$reat;ivity and has ge(=nuin``,e ar -tistic aspirati)/!ons both from a writing and direct/=ing perspective. My opinion is that it sho(#uld have[-[ been filmed in bl[+,ack a_nd w`]hite ins=#tead of colour^ th)o_#ugh. The dir^.(ector uses atmos+^-_pher@`ic lig)?ht_),. and sha_dow to* g %eat effect and it wo-.uld hav:e($$ r+`egiste r*^:ed even be)tter in s (tark black and wh-.(ite. ^#T(he blue-green ne?*`on on the) other+%\=  #.h:and out+stays  ;,its w[.-elcome after a ?,while:)$. Just a min or gri= pe, %@\in an o=-%th erwise solid b-movie with its \hea rt (:set ,in all th @e rig% )ht places.:.  Im^agine a/. l?((ess blea@k THE R /*OAD (Corma c.+ McCa^rthy) bei#ng injected with the )/sa )?tir +e and hum o_[ur of DR.STRANGELOVE and you'r!e getting ther?/e. See i,]t if you! c`a(/-n find it.

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剧情简介

一、《等待%方舟》讲述的是什么故事?

《等待%方舟》Se;@t in an und\erground dungeon inhabited by_ bu[;ndled, ragged human beings, ;,-aft)e(_r the nucl($_ear holocaust. The s)]@=tory fol;lows the wande!^r\i\]ngs of a hero th/r]=oug %^(h the situations of survival. :.Peop)l ,e wait for the Ark ]to arrive an_-d resc/ ue them while thei;r ` habita])t f(a])lls ap[;?ar_+*t.  Delving dee \p int$o the+ dusty /and long abandonded^] vaults %!of b!-cine\ma in sear,^#ch of lost. gems ?$ always leaves me w@ith a`_ bitter(?swe=)_%et tast,=e. /-On _one hand*` ^the disco )_very,!#! of  [une/xpected()* ge)ms where no one wo*@uld t[]hink them p+*!$os$\ sib(`l(e is#, `  a re%*wa+rdin?)g exper./+#ience. On the [^other;#: hand tho()ugh it makes o!(-`ne wonder how many)` of t]-#hese remarkabl[e low-bu,dget oddities, personal love : :[$%\affai)! r s ) of directo]^+rs ;neve)r q,(.uite `=$fa`\m=^ous and`, now al[ l but- \ for+,#gotten, _._have al!*most forever )*slip;pe-d f( :rom m emory  n% any case w] h$#at we hav@e here is a l_+itt:\le post-apocal$%ypt:@ic gem fr+[+om Poland tha-,t is])- re%ally bet_\]:/ter? -:tha!n it h.+as a^ny right$  t=o. T!he,* dyst_opi*:an :[;near f(\,utur?-_e o]] f O-BI, O-BA fi:nds! a group /$of survivo=rs of=(  the nuclear w^)!ar that ravaged /.the Ea@%:=rth i)##nhabi$ting *--an underworld _.conc;#r^ete bunker= an(d bi$ding their ti[( me; as th=$ey wait fo]$r) (@the mysterious Ark, an  a.`ir  ship of some ki#^nd th/at will co \;-me and sa$ve them. The Ark pro:-[`ves to; be an elaborat+e hoax, carefully designe+);`d to g-ive hope to *]the mal/\*=nourished and (desp /erate) [d.]enizen!$s of (=th(^(e bunk$er,_/ w=(hile$ in t+%he meant++ime _-the do@(me that :separat@?es t  @heir misera(ble existenc[^*e-^* from  the nuc*`%lear?* winter out+)side [%is] s.^l%owly caving in.  W@h ^at ^[/fi[r#st st-]ri [ked me a- @b(, out t ) he movie !:is the d_;e@*,sign$ of.( the bunker and the de+* \@pict ion o/f th?e surv*/iv)or=;)s. The su%+rvi:vors are #gaunt, f .\+ilthy and .te\rr [_ible-looking peniten)#ts, dressed in %]rags and aimle(:ssly wander)ing the neon-lit ha[]lls of the bunker l[=ik=e au/%tomato?:ns. T+)@he bunker is a rundown, seedy place, with `;`br:ight n[@eon [lights pee+.=ring +?from a:$_ll sid\(es l\.ik-e the e:)yes of malig ;nant: bea*^sts$=@.  On one hand i#$t is a slightl;#?y 80's depict?@ion of the dystop=* ian fu tu(+^re (but^- the movie neve=!r s*`toops+? ^#down to MAD MA?X che`ese. Instead i@^t c %:+ombines biting political [#satire with the bleak outlo:_;ok of a!; w/`?orl-^d with `no future, - bla$ck comed(y *wit+,,h bar-b;s] on apathy, religion and power. The? survivo rs, f:.?or! examp!:_%le, ar,e fed some kind@,[, o!)f flour dropp+#ing from a tube that ;hov`?ers `in the a?/ir - later o_,n !@we disco`v`er the food) super:viso@:r uses book\ s` ;$and/.! th?e Bible $i_tself as filler for t+,(his ? meagre meal %. There are many su^+c `h sho? rt symbolic %[touches, pe*$rhaps not lif e;-ch.+%`anging _%or fait%h-r#[es%toring, yet@* p`%#l%ayful!%(,- clever and inspired.  One thing i@;+s for(= su/#re;] O-BI#, + O!-BA -is not your run-of-the-mill sci-# -[fi sc hlock. It overcomes =.`(i= ts modest budget with c,$reat;ivity and has ge(=nuin``,e ar -tistic aspirati)/!ons both from a writing and direct/=ing perspective. My opinion is that it sho(#uld have[-[ been filmed in bl[+,ack a_nd w`]hite ins=#tead of colour^ th)o_#ugh. The dir^.(ector uses atmos+^-_pher@`ic lig)?ht_),. and sha_dow to* g %eat effect and it wo-.uld hav:e($$ r+`egiste r*^:ed even be)tter in s (tark black and wh-.(ite. ^#T(he blue-green ne?*`on on the) other+%\=  #.h:and out+stays  ;,its w[.-elcome after a ?,while:)$. Just a min or gri= pe, %@\in an o=-%th erwise solid b-movie with its \hea rt (:set ,in all th @e rig% )ht places.:.  Im^agine a/. l?((ess blea@k THE R /*OAD (Corma c.+ McCa^rthy) bei#ng injected with the )/sa )?tir +e and hum o_[ur of DR.STRANGELOVE and you'r!e getting ther?/e. See i,]t if you! c`a(/-n find it.

二、《等待%方舟》为什么可以成为经典?

提起其它,人们就肯定会说出《等待%方舟》的名字。这部由皮奥特尔·舒尔金导演,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待%方舟》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔,都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待%方舟》开拍之前,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年无戏可拍,而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在科幻片中投入的热情,是我们难以想象的,其实《等待%方舟》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典科幻片,也成就了他们自己!

三、《等待%方舟》是哪一年上映的?

《等待%方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河,《等待%方舟》上映时票房稳坐前三,创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象,奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力,而《等待%方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待%方舟》首映时曾获海外科幻片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1985年代)其它(其它)优秀科幻片齐名。

四、《等待%方舟》科幻片的主要内容

《等待%方舟》是一部科幻片,由导演:皮奥特尔·舒尔金执导,主演:耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔。《等待%方舟》Se;@t in an und\erground dungeon inhabited by_ bu[;ndled, ragged human beings, ;,-aft)e(_r the nucl($_ear holocaust. The s)]@=tory fol;lows the wande!^r\i\]ngs of a hero th/r]=oug %^(h the situations of survival. :.Peop)l ,e wait for the Ark ]to arrive an_-d resc/ ue them while thei;r ` habita])t f(a])lls ap[;?ar_+*t.  Delving dee \p int$o the+ dusty /and long abandonded^] vaults %!of b!-cine\ma in sear,^#ch of lost. gems ?$ always leaves me w@ith a`_ bitter(?swe=)_%et tast,=e. /-On _one hand*` ^the disco )_very,!#! of  [une/xpected()* ge)ms where no one wo*@uld t[]hink them p+*!$os$\ sib(`l(e is#, `  a re%*wa+rdin?)g exper./+#ience. On the [^other;#: hand tho()ugh it makes o!(-`ne wonder how many)` of t]-#hese remarkabl[e low-bu,dget oddities, personal love : :[$%\affai)! r s ) of directo]^+rs ;neve)r q,(.uite `=$fa`\m=^ous and`, now al[ l but- \ for+,#gotten, _._have al!*most forever )*slip;pe-d f( :rom m emory  n% any case w] h$#at we hav@e here is a l_+itt:\le post-apocal$%ypt:@ic gem fr+[+om Poland tha-,t is])- re%ally bet_\]:/ter? -:tha!n it h.+as a^ny right$  t=o. T!he,* dyst_opi*:an :[;near f(\,utur?-_e o]] f O-BI, O-BA fi:nds! a group /$of survivo=rs of=(  the nuclear w^)!ar that ravaged /.the Ea@%:=rth i)##nhabi$ting *--an underworld _.conc;#r^ete bunker= an(d bi$ding their ti[( me; as th=$ey wait fo]$r) (@the mysterious Ark, an  a.`ir  ship of some ki#^nd th/at will co \;-me and sa$ve them. The Ark pro:-[`ves to; be an elaborat+e hoax, carefully designe+);`d to g-ive hope to *]the mal/\*=nourished and (desp /erate) [d.]enizen!$s of (=th(^(e bunk$er,_/ w=(hile$ in t+%he meant++ime _-the do@(me that :separat@?es t  @heir misera(ble existenc[^*e-^* from  the nuc*`%lear?* winter out+)side [%is] s.^l%owly caving in.  W@h ^at ^[/fi[r#st st-]ri [ked me a- @b(, out t ) he movie !:is the d_;e@*,sign$ of.( the bunker and the de+* \@pict ion o/f th?e surv*/iv)or=;)s. The su%+rvi:vors are #gaunt, f .\+ilthy and .te\rr [_ible-looking peniten)#ts, dressed in %]rags and aimle(:ssly wander)ing the neon-lit ha[]lls of the bunker l[=ik=e au/%tomato?:ns. T+)@he bunker is a rundown, seedy place, with `;`br:ight n[@eon [lights pee+.=ring +?from a:$_ll sid\(es l\.ik-e the e:)yes of malig ;nant: bea*^sts$=@.  On one hand i#$t is a slightl;#?y 80's depict?@ion of the dystop=* ian fu tu(+^re (but^- the movie neve=!r s*`toops+? ^#down to MAD MA?X che`ese. Instead i@^t c %:+ombines biting political [#satire with the bleak outlo:_;ok of a!; w/`?orl-^d with `no future, - bla$ck comed(y *wit+,,h bar-b;s] on apathy, religion and power. The? survivo rs, f:.?or! examp!:_%le, ar,e fed some kind@,[, o!)f flour dropp+#ing from a tube that ;hov`?ers `in the a?/ir - later o_,n !@we disco`v`er the food) super:viso@:r uses book\ s` ;$and/.! th?e Bible $i_tself as filler for t+,(his ? meagre meal %. There are many su^+c `h sho? rt symbolic %[touches, pe*$rhaps not lif e;-ch.+%`anging _%or fait%h-r#[es%toring, yet@* p`%#l%ayful!%(,- clever and inspired.  One thing i@;+s for(= su/#re;] O-BI#, + O!-BA -is not your run-of-the-mill sci-# -[fi sc hlock. It overcomes =.`(i= ts modest budget with c,$reat;ivity and has ge(=nuin``,e ar -tistic aspirati)/!ons both from a writing and direct/=ing perspective. My opinion is that it sho(#uld have[-[ been filmed in bl[+,ack a_nd w`]hite ins=#tead of colour^ th)o_#ugh. The dir^.(ector uses atmos+^-_pher@`ic lig)?ht_),. and sha_dow to* g %eat effect and it wo-.uld hav:e($$ r+`egiste r*^:ed even be)tter in s (tark black and wh-.(ite. ^#T(he blue-green ne?*`on on the) other+%\=  #.h:and out+stays  ;,its w[.-elcome after a ?,while:)$. Just a min or gri= pe, %@\in an o=-%th erwise solid b-movie with its \hea rt (:set ,in all th @e rig% )ht places.:.  Im^agine a/. l?((ess blea@k THE R /*OAD (Corma c.+ McCa^rthy) bei#ng injected with the )/sa )?tir +e and hum o_[ur of DR.STRANGELOVE and you'r!e getting ther?/e. See i,]t if you! c`a(/-n find it.

五、如何评价《等待%方舟》?

《等待%方舟》口碑非常好深受广大观众喜爱,《等待%方舟》一经播放立刻引来无数人点赞,不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑,秋葵视频污下载官网(www.yldshanxun.com)观看起来特别流畅同时还能扣人心弦,虽然目前《等待%方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔,她在该科幻片中的演技可圈可点,受到观众认可。

六、被称为科幻片的开先河之作的《等待%方舟》,是皮奥特尔·舒尔金最好的作品吗?

从皮奥特尔·舒尔金斩获科幻片最佳导演我就觉得这部《等待%方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片,但是《等待%方舟》是他科幻片的代表作品。